GALLERY STUDY MS.GUTTORMSON
Viewing a visual image should be more than just looking and reacting without much thought. Viewing is an interaction between the viewer and the art object. Although most art works are constant, the interaction varies with each viewer because of the viewer's own varied perspectives and associations.
1. a. Preparation - participate in viewing art works and discussing them in class; have an open mind about artwork. Assume that the artist had something to communicate.
2. First Impression - record your first spontaneous reaction to the artwork. By the end of the process you may understand your first impression better or you may even change you mind. There are no wrong answers. Unfortunately, this step is where many people stop when they are looking at artworks.
Q. What is your immediate reaction to the work?
-list any words that come to mind
3. Description - this stage is like taking inventory. You want to come up with a list of everything you see in the work. The key here is to stick to the facts. Imagine that you are describing the artwork to someone over the telephone. This is a long and detailed section.
4. Analysis - Try to figure out what the artist has done to achieve certain effects. You should refer to your first impressions and try to explain how the artwork achieves that reaction.
Q. How are the Elements of Art (color, shape, line, texture, space,
form, value) and the Principles of
Design (balance, contrast, emphasis, movement/rhythm,
unity, variety) used in this artwork?
Q. What do you notice about the artist's choice of materials?
Q. What grabs your attention in the work?
Q. At what do you think this artist worked particularly hard at while he/she
did this work?
Q. Do you see any relationship between the things you listed during the
description stage?
Q. What mood or feeling do you get when you look at this work of art?
Q. What "qualities" do you see in this work?
5. Interpretation - try to figure out what the artwork is about. Your own perspectives, associations and experiences meet with "the evidence" found in the work of art. All art works are about something. Some art works are about colour, their subject matter, and social or cultural issues. Some art works are very accessible - that is relatively easy for the viewer to understand what the artist was doing. Other works are highly intellectual, and might not be as easy for us to readily know what the artist was thinking about.
Q. Have your thoughts or feelings about the artwork changed since your
first impression? If so, how? What
made you change your mind?
Q. If not, can you now explain your first reaction to the work?
Q. What have you seen or learned from this work that you might apply to
your own art work or your own
thinking?
Descriptive Words to Use in a Formal Analysis of Art
| ELEMENTS OF
ART Line blurred broken controlled curved diagonal freehand horizontal interrupted geometric meandering ruled short straight thick thin vertical wide Texture
Colors
|
Shape/Form
amorphous biomorphic closed distorted flat free-form full of spaces geometric heavy light linear massive nebulous open organic Value
Space
Principles of Art
Themes in Art
|
STYLE OR PERIOD
abstract classical genre historical literary naïve narrative nonobjective primitive realistic romantic Renaissance |
MEDIA (MATERIALS)
Two-Dimensional chalk colored pencil conte egg tempera found materials gouache ink oil pastel pencil photograph tempera vine charcoal watercolor Three-Dimensional
|
TECHNIQUE
architecture batik carving ceramics collage crafts glassblowing jewelry making metalwork modeling mosaics painting photography printmaking repousse sculpture weaving |